Even before 1095,
pilgrimages to Jerusalem and holy sites in Europe were central phenomena to
medieval Christianity. Springing from
the intense physicality of medieval religious practice (from whence the cult of
relics also arose), a pilgrimage to Jerusalem was the considered one the
ultimate expressions of one’s faith – especially since such an undertaking in
that time was incredibly costly and dangerous.
The possibility of martyrdom along the route was ever-present,
especially in lands controlled by Muslim powers, and the rigors of the journey
were often viewed as a means of extreme penance for past sins. However, until 1095, only a select few even
possessed the means and ability to undergo such a trek and the few who had (and
who had returned) were well known all across Christendom – like Duke Robert “the
Frisian,” father of First Crusade leader Robert of Flanders and even Robert of
Normandy, father of William the Conqueror.
With the birth of the Crusades in 1095, the idea of a mass “fighting
pilgrimage” came into being that enabled the participation of every class and
social rank in Europe.
However, the various
crusades often followed those same routes used by individual pilgrims long
before. One of the most principal can be
found running down from Northern Italy and through the hills of Tuscany on its
way to Rome, called the Via Francigena
(literally, the “road from France”).
Although
no exact date of origin is known, various surviving pilgrim itineraries suggest
that the road had been in use from a very early date – like the incredibly
detailed account of Sigeric the Serious, who traveled along the route to
receive his pallium as the newly
appointed Archbishop of Canterbury from Rome in the late 10th
Century. The Via Francigena witnessed an explosion of traffic during the
crusading period and relics of the crusades can be found scattered all over the
Tuscan countryside if one looks hard enough.
Within the great city
of Florence herself, there is not much to be found of the Crusades on the
surface. Florence during the crusades
was initially not much of a major settlement and it wouldn’t be until the
mid-13th Century when that city would experience the cultural and
artistic flowering that would culminate into the Italian Renaissance of the 14th
and 15th Centuries. However,
many scholars have rightly linked many of the great advances in art and
architecture seen in Italy to the cultural exchanges with the East afforded by
the Crusades. The relics of Classical
culture preserved by the Byzantine Empire witnessed by the crusaders and the
merchantmen that followed them were perhaps the primary influence on the
Italian masters of the early Renaissance.
Much of this Eastern influence can readily be seen in the great churches
and art galleries of Florence.
Ceiling mosaic inside the Baptistery of Santa Maria della Fiore ("Il Duomo") exhibiting heavy Byzantine influences. |
Detail from the Baptistery ceiling portraying two angels wearing distinct Eastern Roman military garb. |
In between Florence
and Siena lies the small walled town of San Gimignano. Dating from sometime in the early 11th
Century, the settlement constituted one of the major stops along the pilgrims’
road through Tuscany. During the
Crusades, it also played host to a considerable presence of the Knights Templar. Founded by returning veterans of the First
Crusade, several commanderies and chapels sprang up all over the area, to
include the church of San Jacopo and a small commandery within the town
itself. Today, all that remains of the
Templar commandery within San Gimignano is the façade featuring a Templar cross
and other carvings that suggest 12th Century origins at the
latest.
The Templars also maintained a
much larger headquarters at the Castello della Maggione in the nearby town of
Poggibonsi, now the headquarters of an international lay Catholic apostolate,
the Militia Templi, who seek to pay homage to the spirit of the original
Templar Order. In 1312 after the papal
dissolution of the Templars, most of these facilities were transferred over to
the Knights Hospitaller and that Order maintained a considerable presence in
the region even into the modern era.
Tombs of brother-knights and prominent benefactors of the Hospitallers
can be found all over Tuscany, to include in Florence herself.
Tomb of a "Nicholai Bindi" (d. 1333) in the crypt of the Duomo - the shield may indicate membership in the Hospitallers. However, I couldn't find any sources to confirm this. |
Hospitaller (Knights of Malta) church in Florence built in the 1600s. Quite fitting, this church is now the chapel for the nearby Italian Army hospital. |
Further south towards
Siena is the imposing fortress of Monteriggioni. Although records suggest the presence of
fortifications on the site well beforehand, the current structure dates from
the late 13th Century and served as a border fortress for Siena
against their aggressively expanding Florentine neighbors. Sitting atop its hill, the fortress was
unique in its circular design and unusually tall towers.
Apparently, it made such an impression when
it was built that Dante even mentioned it in his Inferno, comparing its towers to the giants guarding the edge of
the Abyss in Hell:
“As with circling round
Of turrets, Monteriggioni crowns
his walls;
E’en thus the shore, encompassing
the abyss,
Was turreted with giants, half
their length …”
(Dante Alighieri, Inferno, Canto XXXI, 40-45, trans. Henry Francis Cary)
Although the fortress had very little to do with the Crusades, it is a
great example of the sort of fortifications that existed along the famous
pilgrimage routes of Italy and the Mediterranean that crusading pilgrims would
most definitely have encountered. Sadly,
the inside is wholly devoted to the modern tourist industry, filled with shops
peddling kitschy souvenirs to people whose only knowledge of medieval Italy
comes from Dan Brown and the Assassin’s
Creed series.
As with all pilgrims passing through, I am on to the Eternal City
next. Stay tuned and Deus vult.
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